Michael Kot I do illustrations and paintings and fuse sci-fi, fantasy, hotrod art, hot babes, humour, adventure, the ancient past, the 80s and the unknown future.darkness, fire, intense colours, dramatic black and whites are common aesthetics. I like Salvador Dali, Edgar Degas, Gary Larson, old Manga, the (old and new) Romantics, Opera, Electro-Pop, Robert Crumb, Bladerunner, Mad-Max, ItalyIt all goes in a giant blender processed through my head and out my drawing hand.

    Michael Kot

    I do illustrations and paintings and fuse sci-fi, fantasy, hotrod art, hot babes, humour, adventure, the ancient past, the 80s and the unknown future.
    darkness, fire, intense colours, dramatic black and whites are common aesthetics. I like Salvador Dali, Edgar Degas, Gary Larson, old Manga, the (old and new) Romantics, Opera, Electro-Pop, Robert Crumb, Bladerunner, Mad-Max, Italy

    It all goes in a giant blender processed through my head and out my drawing hand.

    Tags M K drawing painting Illustration comics Cartoons

    Andrew Gomez IV Freelance designer for hire. I pretty much do work with people that carry the same ethos, vision and ethics. Right now I am in a period of my life where “linework” is king. I have done many projects throughout my career so far for bands and independent record labels. I have yet to really do a personal collection of my own but that might change after I get my a little more free time. Thank you for taking the time to look at my work.

    Andrew Gomez IV

    Freelance designer for hire. I pretty much do work with people that carry the same ethos, vision and ethics. Right now I am in a period of my life where “linework” is king. I have done many projects throughout my career so far for bands and independent record labels. I have yet to really do a personal collection of my own but that might change after I get my a little more free time. Thank you for taking the time to look at my work.

    Tags A G drawing Illustration Typography comics manga GraphicDesign streetart printmaking

    Lexi Kimble I’m a 30-something graphic designer, who’s always dreamed of working in comics and animation. A brush with the fine arts world, I went back to school at 30 to get my BA in Graphic Design. I’ve had brushes in animation and comics, but I’ve found my place in game design (both pen/paper RPGs and indie Video Games).

    Lexi Kimble

    I’m a 30-something graphic designer, who’s always dreamed of working in comics and animation. A brush with the fine arts world, I went back to school at 30 to get my BA in Graphic Design. I’ve had brushes in animation and comics, but I’ve found my place in game design (both pen/paper RPGs and indie Video Games).

    Tags L K drawing comics sketches GraphicDesign digital

    Trung Nguyen I am a graphic narrative illustrator and a comic book artist working primarily with fine ink lines. My subject matter revolves around iconographic traditions of Golden Age illustrators such as Arthur Rackham and Edmund Dulac, and my work can be described as being the visual progeny of Harry Clarke’s drawings and Winsor McCay’s Sunday morning cartoon panels. Formally, I am interested in exploring the relationships between lines. I maintain a uniform and arguably flattening line value throughout my work, but I am concerned with how a line creates depth and space depending on its relationship to other lines. The greater the number of lines, the more compellingly volumetric the space can potentially become. My visual source of Golden Age Western illustration also informs my subject matter. I am particularly interested in unearthing the contemporary implications of fairy tales. My work explores how fairy tales are re-appropriated and consumed in today’s culture, and how those deeply gendered images affect the visual language we use to convey concepts of purity, depravity, love, sex, and heroism. The images I create feature elegant figures with surreally detailed masses of ink-contour hair cascading about sparingly outlined bodies. By re-appropriating a visual language of fairy tales from popular books penned and illustrated over a century ago, I highlight the seemingly aged nature of fairy tale themes while concurrently reminding the viewer that we inherit the legacy of the traumas and triumphs of our iconographic past. I aim to ensnare that legacy within the confines of my dark ink contours. 

    Trung Nguyen

    I am a graphic narrative illustrator and a comic book artist working primarily with fine ink lines. My subject matter revolves around iconographic traditions of Golden Age illustrators such as Arthur Rackham and Edmund Dulac, and my work can be described as being the visual progeny of Harry Clarke’s drawings and Winsor McCay’s Sunday morning cartoon panels. 
    Formally, I am interested in exploring the relationships between lines. I maintain a uniform and arguably flattening line value throughout my work, but I am concerned with how a line creates depth and space depending on its relationship to other lines. The greater the number of lines, the more compellingly volumetric the space can potentially become. 
    My visual source of Golden Age Western illustration also informs my subject matter. I am particularly interested in unearthing the contemporary implications of fairy tales. My work explores how fairy tales are re-appropriated and consumed in today’s culture, and how those deeply gendered images affect the visual language we use to convey concepts of purity, depravity, love, sex, and heroism. The images I create feature elegant figures with surreally detailed masses of ink-contour hair cascading about sparingly outlined bodies. 
    By re-appropriating a visual language of fairy tales from popular books penned and illustrated over a century ago, I highlight the seemingly aged nature of fairy tale themes while concurrently reminding the viewer that we inherit the legacy of the traumas and triumphs of our iconographic past. I aim to ensnare that legacy within the confines of my dark ink contours. 

    Tags T N drawing Illustration comics sketches doodles

    Jess Paul I specialize in Intermedia (cross-media, all-media) and mostly focus on my illustration. In the past, I have worked in sequential art (comic book illustration), mixed-media sculpting, and graphic/marketing design. I have also practice in film and story writing. I have produced and hosted a partnered YouTube show for the past 3 years called Wrecked Radio i have also written two full length screenplays, including “Body” which was made into a first-issue comic.Finally, I am an actor, living in Pittsburgh hoping to produce and play in local films.

    Jess Paul

    I specialize in Intermedia (cross-media, all-media) and mostly focus on my illustration. In the past, I have worked in sequential art (comic book illustration), mixed-media sculpting, and graphic/marketing design. 
    I have also practice in film and story writing. I have produced and hosted a partnered YouTube show for the past 3 years called Wrecked Radio i have also written two full length screenplays, including “Body” which was made into a first-issue comic.
    Finally, I am an actor, living in Pittsburgh hoping to produce and play in local films.



    Tags J P drawing Illustration mixedmedia comics GraphicDesign